As a skeptical young archaeologist back in the early 1980s I was fascinated by the connections between archaeology and photography, in archaeology’s project of documenting the remains of the past. Skeptical – I thought, and still do, that archaeology’s long links with the identity politics of nationalism and colonialism and its role in the growing…
contemporary art
Coriolan/us, Brecht, site and intervention
Mike Pearson and Mike Brookes are directing another wonderful and extraordinary site specific production of a classic dramatic text. A couple of years ago it was Aeschylus’s Persians set in a simulation of a German village used for military training in the Brecon Beacons of Wales [Link]. Currently running is Coriolan/us – a hybrid of…
Mark Bradford
We made it at last today to the Mark Bradford exhibition in San Francisco at SFMOMA – [Link] Exhibition website – [Link] Maybe it’s about … tracing the ghosts of cities past. It’s the pulling off of a layer and finding another underneath. It’s the … details that point to people saying, “We exist; we…
prehistory and performance – an experiment in site specifics
In Göteborg this week I have been returning to the work of arts company Brith Gof – site specific performance. And theatre/archaeology – the rearticulation of fragments of the past as real time event. The context is my argument that the heritage industry is just that – work performed on what is left of the…
Fenwick Lawson – St Aidan's Lindisfarne
The remarkable work of sculptor Fenwick Lawson. Monks carry the coffin of Cuthbert (The Journey – 1999).
Lara Almarcegui
Another artist exploring an archaeological sensibility – Rotterdam based Lara Almarcegui. Secession – at TENT, Rotterdam.
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