Peter Miller’s piece about design thinking and history, more accurately archaeology (because archaeology deals with the past-in-the-present), is in the latest edition of the Chronicle of Higher Education. Is ‘Design Thinking’ the New Liberal Arts?. Here are some highlights that convey a key message – that human centered design and design thinking, about which I…
archive 3.0
theatre/archaeology – the brass era
This is one of a series of comments on the 8th biennial symposium “Connoisseurship and the Collectible Car” held at the Revs Institute for Automotive Research in Naples, Florida in March 2015. [Link] Theatre/Archaeology – the re-articulation of fragments of the past as real-time event A little theatre/archaeology from Michael Shanks on Vimeo. At the…
from collector to curator
This is one of a series of comments on the 8th biennial symposium “Connoisseurship and the Collectible Car” held at the Revs Institute for Automotive Research in Naples, Florida in March 2015. [Link] Cars are changing – robots are on their way. And car collecting is changing. [Link] While training as an architect Nick became…
car collection – connoisseurship and archaeology
This is one of a series of comments on the 8th biennial symposium “Connoisseurship and the Collectible Car” held at the Revs Institute for Automotive Research in Naples, Florida in March 2015. [Link] The symposia at the Revs Institute bring together people passionate about collecting cars, passionate about thinking deeply around questions of conservation and…
Pearson|Shanks – theatre|archaeology
A decade after our book Theatre/Archaeology (Routledge – [Link]), Mike Pearson and I have started a new series of collaborative works. Here is a prospectus: Pearson|Shanks – theatre|archaeology – return and prospect Twenty years ago Mike Pearson, performance artist, and Michael Shanks, archaeologist, opened a dialogue and collaboration through the theatre company Brith Gof, of…
rephotography – Road&Track
Photography frames and fixes This can be enabling – seeing things through a detail, microcosmic part for whole – synechdoche – the oligopticon, where macro ladidary detail ironically offers more than the wide angle or panorama (contrast the panopticon). The world in a grain of sand. And disabling – frames restrict and compress, and fixity can…
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