Michael Shanks ~ archaeologist

Menu

Skip to content
  • Posts
  • About
  • Consulting | Talks
  • Projects
  • Archaeology
  • Design Foresight

Author: Michael Shanks

cloud study

February 21, 2016July 7, 2016 by Michael Shanks

Prehistoric round house, Coquet Valley, Northumberland. On location with Mike Pearson.

Posted in borderlands, chorography, landscapes, photography, thresholds Tagged Lordenshaws, Mike Pearson, Rothbury Leave a comment

lost in the post

February 20, 2016July 7, 2016 by Michael Shanks

Ben in the old kitchen of the Estate Manager’s house, Cragside. Taken on expired (June 2001) Polaroid 690 in summer 2012, lost and forgotten, found again when I was heading back there this February 2016.

Posted in (past) presences, archaeological sensibility, missives, nostos - the return, presence Tagged Cragside, Polaroid Leave a comment

Cragside, Northumberland

February 20, 2016July 15, 2016 by Michael Shanks

Scene of crime. Investigating with Mike Pearson. Home and estate of the First Lord Armstrong. Now in the hands of The National Trust.

Posted in "this happened here", (re)framing, archaeological imagination, borderlands, chorography, critical heritage, cultural politics, figure and ground, signal and noise Tagged Armstrong, Cragside, Mike Pearson

postbox

February 19, 2016July 19, 2016 by Michael Shanks

A returning fascination with postal systems (… The Crying of Lot 49) – see the section on the postcard in my “Experiencing the Past” – [Link] Expired Polaroid film stock (Type 690) – 2006. Camera – NPC 195.  

Posted in archaeological imagination, entropy, missives, nostos - the return, photography, signal and noise Leave a comment

a physiognomy of angels

February 17, 2016December 21, 2020 by Michael Shanks

With Mike Pearson in Elsdon churchyard, Northumberland, England.

Posted in borderlands, chorography, figure in a landscape, memento mori, nostos - the return, Pearson|Shanks Tagged Elsdon, Mike Pearson, Northumberland Leave a comment

archaeological pen

January 15, 2016October 20, 2024 by Michael Shanks

Japanese bog ash. Fraxinus mandshurica or Fraxinus sieboldiana. “Kojiro Tamo Chijimimoku”. Ancient wood recovered from a bog in Japan. Perhaps 3000 years old. Pen by Motoshi Kazuno – [Link]

Posted in archaeological sensibility, instrumentality, quiddity Tagged Motoshi Kazuno

Posts navigation

← Older posts
Newer posts →

About this site

Exploring the archaeological imagination – to gain a bigger picture on things that matter.

Read more: [Link]

Lab/studio: [Link]

Contact

michaelshanks @ me.com

mshanks @ stanford . edu

1 650 996 8763

Recent Posts

  • basement
  • Etruscan
  • Fogo Island — field notes on design, place, community
  • Palmyra in the (archaeological) north
  • museum piece

Archives

Categories

Archives

Categories

"this happened here" "what becomes of what was" (past) presences (re)framing actuality antiquarians archaeography archaeological imagination archaeological news archaeological sensibility archaeologists archaeology borderlands cars chorography cityscapes Classics contemporary art contemporary past cultural politics design matters disciplinary practices figure and ground figure in a landscape haecceity heritage landscapes materialities media archaeology media matters memory practices museums noise nostos - the return photography presence quiddity Revs at Stanford ruins and remains storytelling and narrative the academy theatre-archaeology the shape of history the uncanny transdisciplinary spaces

Tags

Amsterdam Andrew Pickering Bard Graduate Center Ben Cullen Bill Barranco Bill Rathje Binchester Bjørnar Olsen Boijmans van Beuningen Boonville Brecht Brith Gof Bruno Latour Chris Tilley Chris Witmore Chunfang Zhou Cliff McLucas Cliff Nass Connie Svabo David Kelley Design Column Disney Gary Devore Glyptotek IDEO James Hutton John Constable Jon Feiber Larry Leifer Lindisfarne Maker Faire Mike Pearson National Theatre Wales Northumberland Nyborg Paul Noble Peter Miller Revs at Stanford Revs Institute Rotterdam Sabine Remdisch Sjarel Ex Tamara Carleton Tim Brown Tim Webmoor
Loading Comments...

You must be logged in to post a comment.