Belsay, Northumberland. Early nineteenth century. Visiting with Bianca (Carpeneti). As pure a contrast between the Classical and Gothic Romantic as can be imagined. Here is something I have written to appear in my forthcoming book “The Archaeological Imagination” – to my embarrassment and frustration still in (final) revision. Sir Charles Monck decided not to restore…
“what becomes of what was”
Beamish – quiddities
Beamish – Living Museum of the North – [Link] Historical textures of the everyday. I first wrote about Beamish in my book with Chris Tilley – ReConstructing Archaeology (1987) [Link] Focusing on the narrative that frames the museum, I hated the clichéed, static, and ideological experience it presented of the north-east of England. There is…
landscape aesthetics and the ideology of pleasure
The Dun Cow, Durham. Early evening. In conversation with Bianca (Carpeneti). My early morning runs are troubling me deeply … these encounters with a sublime picturesque [Link] [Link] [Link] Photo – dawn on Holy Island. Watercolor – J.M.W. Turner (exhibited 1829) (the castle in the background) Turner’s figures in the landscape (they are on the…
the aesthetic of the past
Out running – jet lag gets me up rather early – here at about 5.30 am local time. Lindisfarne, Northumberland – sixteenth century military architecture and a nineteenth century industrial facility turned into a wealthy man’s holiday home (Edward Hudson, proprietor of magazine “Country Life” commissioned Edwin Lutyens to oversee the conversion – very tasteful)….
urban planning – human-centered and historically informed (introduction)
My fourth year visiting Rotterdam as a member of the International Advisory Board to the Mayor of this city and port, the largest in Europe, second only globally to Shanghai. New construction – Maasvlakte 2 (and 1) – enormous artificial extensions of the port facilities out into the north sea. Mayor Ahmed Aboutaleb with members…
Song Dong | YBCA
Song Dong at Yerba Buena Center for the Arts in San Francisco. Dad and Mom, Don’t Worry About Us, We Are All Well is a large-scale installation called Waste Not. It comprises over 10,000 items ranging from pots and basins to blankets, bottle caps, toothpaste tubes, and stuffed animals collected by the artist’s mother over…
You must be logged in to post a comment.