writing ancient Egypt

I have just received a copy of Toby Wilkinson’s Rise and Fall of Ancient Egypt. The cover endorsements are enthusiastic; the blurb is packed with hyperbole and the promise of a roller-coaster soap-opera of pomp and ceremony, corruption and decadence, rulers with all-too-recognizable human emotions, in a book that will, we are told, become the…

Olmec Art

“Colossal Masterworks of Ancient Mexico”, an exhibition of Olmec artifacts, is running at the de Young Museum in San Francisco. Extraordinary pieces. Extraordinary presence. It was the first time we had come across them first hand. Here the monumental heads, zoomorphic basalt thrones, engobe ceramics, jadeite celts, are gently spotlit in that subdued ambient lighting…

Design, RES and RESPUBLICA

In Tokyo for EPIC – Ethnographic Praxis in Industry Conference. 6th edition. [Link] Some summary points from my keynote. How could I not respond to Kenya Hara’s wonderful opening keynote and his emphasis on the dialectic of making and its deep connection with human being? [Link] The range of research techniques and methods that I…

Mike Pearson | The Persians

Classics and the contemporary past Mike Pearson and his new production of Aeschylus Persians (National Theatre of Wales) gets a superb review in the Guardian today [Link] This is site-specific theatre with a vengeance. High up in the Brecon Beacons, in a mock-up village used by the military as a training-base, National Theatre Wales is…