To continue the argument from my previous posts – [Link] [Link] – that heritage, the (legacy) of the past in the present, is best conceived as a process of working on the past in the present – as a process of design. I have just returned from a trip to Göteborg, that most wonderfully open…
cultural politics
public and private
Dublin. Buswell’s. I have been waiting for it to happen. I take photos of the textures of everyday life. Everyday life is under challenge. Ireland is on the brink of ruin. “We are back to the old three ‘Ps’ Michael”, someone says to me – “Pints, Ponies … and I can’t remember the third” ……
Heritage as design (continued)
Felipe Criado Boado (CSIC, the Spanish National Research Council and INCIPIT, the Institute of Heritage Sciences in Santiago de Compostela) is with us in the Archaeology Center for a couple of weeks. This evening he lectured about the way his new institute is approaching heritage. Heritage – the footprint of memory and oblivion – a…
heritage design – aspiration and redemption
Tuesday July 19, Westminster, London (This is the report on our previously noted visit – [Link]) Bianca Carpeneti and Michael Shanks visiting Alan Campbell MP at the House of Commons Our current work on the archaeological project at Binchester UK includes a major focus on cultural resource management (CRM), as it gets called in the…
the politics of design – the T Character revisited
Topic – how to be interdisciplinary – and more Quick recap. For some time I have been interested in the notion of the “T character” – an attitude or disposition, a skill set, that facilitates the kind of interdisciplinary practice that is the heart of good design, bridging the different expertise and interests in a…
landscape aesthetics – tactics (continued)
From a conversation in the Dun Cow, Durham (with Bianca Carpeneti and Chris Witmore). Topic – archaeology, ruins and the picturesque landscape. The allure, the ideology, the challenge to avoid cliché. How do we deal with archaeological landscapes today? Should I just give up photography? As a tainted medium? This is too simple a response…
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