Six Lines of Flight: Shifting Geographies in Contemporary Art has just closed at San Francisco Museum of Modern Art [Link] [Link] The topic of the exhibition – contemporary art in six “far-flung” cities not typically defined as traditional centers of the art world: Beirut, Cali, Cluj-Napoca, Ho Chi Minh City, San Francisco, Tangier. Ostensibly this is…
cultural politics
Alan Bennett’s satire – the National Trust and heritage
I am hearing a lot about Alan Bennett’s new play “People”, currently running at the National Theatre in London [Link] The setting is where he grew up – south Yorkshire UK, in a run down country house facing an uncertain future. What are it’s upper crust owners going to do to make ends meet? Sell…
What is (of our) human making?
I have joined the Museum Boijmans van Beuningen in Rotterdam as part of a new exhibition program. This extraordinary museum [Link] holds the largest collection of contemporary art in the Netherlands. Experiments in temporary and often provocative exhibitions, rather than permanent displays of the collection, are the museum’s specialty, and it runs over twenty a…
the culture of the Academy – lessons from design thinking
Across on archaeology.org Chris (Witmore) has taken issue with a comment Tim Ingold has made about the notion of a symmetrical archaeology.[Link] Symmetrical Archaeology? Like many others, Archaeologists regularly do all they can to separate what they do from what they study, their work in the present from the past, past artifacts from the stories…
photowork >> performed photography
As a skeptical young archaeologist back in the early 1980s I was fascinated by the connections between archaeology and photography, in archaeology’s project of documenting the remains of the past. Skeptical – I thought, and still do, that archaeology’s long links with the identity politics of nationalism and colonialism and its role in the growing…
Olympics opening – (in)tangible heritage
London – the opening of the 30th Olympiad A bucolic pastoral green and pleasant land succumbing to dark satanic mills, in William Blake’s vision, homage also to Tolkein’s pitting of Hobbiton against Isengard’s tower; Shakespeare’s Tempest declaimed by Brunel on the slopes of a druidic oak-toppped Glastonbury Tor; dreams of Peter Pan and Mary Poppins;…
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