Chorography – a workshop at Durham University July 10 2012 – [Link] Summer fieldwork. I am less focused on the excavations at Binchester this year [Link]. I am pulling together my long-running research into the region – the English Scottish borders. How do you tell of such a place? All that is there, and has…
actuality
add patina and enjoy
Out with the dogs this morning, circa 1876. Ironic media inversion – add patina and enjoy as the past becomes the present. More play with the iPhone app Camera Awesome.
this happened here – presence and authenticity in an archaeological sensibility
Gary (Devore) has brought my attention to a remarkable new publication from the Panstwowe Museum Auschwitz-Birkenau [Link] “The Auschwitz Album” or “Lili Jacob Album” comprises about 200 photographs taken by the German SS and depicting the arrival of a transport of Hungarian Jews at the Auschwitz II-Birkenau camp in 1944. This new collection takes 31…
critical heritage as design
To continue the argument from my previous posts – [Link] [Link] – that heritage, the (legacy) of the past in the present, is best conceived as a process of working on the past in the present – as a process of design. I have just returned from a trip to Göteborg, that most wonderfully open…
prehistory and performance – an experiment in site specifics
In Göteborg this week I have been returning to the work of arts company Brith Gof – site specific performance. And theatre/archaeology – the rearticulation of fragments of the past as real time event. The context is my argument that the heritage industry is just that – work performed on what is left of the…
In theory: the death of literature
An intelligent feature in The Guardian by Andrew Gallix on Tuesday 10 January. The topic – “we’ve heard it all before” – [Link]. “We come too late to say anything which has not been said already,” lamented La Bruyère at the end of the 17th century. The fact that he came too late even to…
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