the Classical and the Romantic

Belsay, Northumberland. Early nineteenth century. Visiting with Bianca (Carpeneti). As pure a contrast between the Classical and Gothic Romantic as can be imagined. Here is something I have written to appear in my forthcoming book “The Archaeological Imagination” – to my embarrassment and frustration still in (final) revision. Sir Charles Monck decided not to restore…

landscape aesthetics – tactics (continued)

From a conversation in the Dun Cow, Durham (with Bianca Carpeneti and Chris Witmore). Topic – archaeology, ruins and the picturesque landscape. The allure, the ideology, the challenge to avoid cliché. How do we deal with archaeological landscapes today? Should I just give up photography? As a tainted medium? This is too simple a response…

landscape aesthetics – the politics (continued)

A conversation in the Dun Cow, Durham. To continue with the concern that I shared yesterday – the ideology of land, property and labor transformed into aesthetic form – landscape. Images that disguise history? (guilty pleasures of the sublime picturesque) [Link] It is not difficult to identify various components of this aesthetic. (I recall dealing with…

Beamish – quiddities

Beamish – Living Museum of the North – [Link] Historical textures of the everyday. I first wrote about Beamish in my book with Chris Tilley – ReConstructing Archaeology (1987) [Link] Focusing on the narrative that frames the museum, I hated the clichéed, static, and ideological experience it presented of the north-east of England. There is…

landscape aesthetics and the ideology of pleasure

The Dun Cow, Durham. Early evening. In conversation with Bianca (Carpeneti). My early morning runs are troubling me deeply … these encounters with a sublime picturesque [Link] [Link] [Link] Photo – dawn on Holy Island. Watercolor – J.M.W. Turner (exhibited 1829) (the castle in the background) Turner’s figures in the landscape (they are on the…