To continue the argument from my previous posts – [Link] [Link] – that heritage, the (legacy) of the past in the present, is best conceived as a process of working on the past in the present – as a process of design. I have just returned from a trip to Göteborg, that most wonderfully open…
Author: Michael Shanks
prehistory and performance – an experiment in site specifics
In Göteborg this week I have been returning to the work of arts company Brith Gof – site specific performance. And theatre/archaeology – the rearticulation of fragments of the past as real time event. The context is my argument that the heritage industry is just that – work performed on what is left of the…
The Archaeological Imagination
My book, The Archaeological Imagination, long in gestation, will soon be out from Mitch Allen’s Left Coast Press – [Link] This week in Götegorg, I have been sharing some of its stories. Set in the borders between England and Scotland, I explore the roots of so many of our contemporary attitudes towards the past. The…
Hindås – haecceity
First signs of spring as the snow melts – near Hindås, Göteborg, Sweden – more experiments in landscape photography … [Link] [Link] Haecceity – qualities of “thisness” or “hereness” (my definition).
design – translating theory
Today we welcomed Al Bandura to our class Transformative Design. He came to tell us about his concept of self-efficacy – the belief in one’s ability to succeed in specific situations. This is a key component of Al’s social cognitive theory – understanding the ways that people see themselves and learn. It’s a wonderfully rich…
present pasts
With Kristian (Kristiansen) and Lotte (Hedeager). Talking about jazz on vinyl and prehistoric Europe – with salt from Hallstatt, the great cemetery site of the early iron age in the Salzkammergut, near Salzburg. The salt of Hallstatt at Hindås
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