National Museum Athens. 1992.
Author: Michael Shanks
More on Nolan’s Odyssey (2) — The Trickster and the Civics Class
On Ezra Klein’s review of Nolan’s Odyssey, New York Times July 31 A second wave of response to Nolan’s movie has begun to arrive, and with it a piece worth pausing over: Ezra Klein in the New York Times. I want to take it seriously — more seriously than it takes itself — because it…
From Meroë
From Meroë. 2nd Century CE? Glyptotek, Copenhagen.
From Gitte and Poul’s garden
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Creative Pragmatics for active learning — implications of AI in assessment
Assessment in the AI era: a moment we have been preparing for since the 1980s A comment on the Stanford Accelerator for Learning white paper “Responsible Assessment in the AI Era” (2026) Quick summary — AI is revealing the flaws of traditional pedagogy based on standardized testing of final course deliverables. I am not alone…
Christopher Nolan’s Odyssey (1) – an old story, but not the one that’s being talked about
Replaying Homer — Theatre/Archaeology. Notes on Christopher Nolan’s Odyssey. The Odyssey, adapted from Homer and directed by Christopher Nolan. Even before its release on July 17, the movie generated much discussion and commentary. Historical accuracy – helmets from the wrong period, Viking ships in the Bronze Age, and an Agamemnon that looks like Batman. Fidelity to Homer’s…