I was quite impressed with the Lego movie and its celebration of creative play. Tim Brown thinks the same [Link] and makes some great connections with Tim’s Vermeer – the documentary that challenges our assumptions about the relationship between art and technology. (And following on David Hockney’s insistence that artists regularly used technical instruments –…
posts – matters of design
in design there’s never a clean slate
A thoughtful piece recently from Vlad Savov in The Verge – Retrovolution: mining the past to make the future. Anders Warming doesn’t like the word “retro.” Ever since taking over as Mini’s chief of design in 2010, Warming has had to wrestle with the term’s meaning and its application to his company’s cars. Because it…
ruins – thoughts on the aesthetic
An exhibition currently at the Tate in London is exploring British images of ruin since the 18th century. Ruin Lust, an exhibition at Tate Britain from 4 March 2014, offers a guide to the mournful, thrilling, comic and perverse uses of ruins in art from the seventeenth century to the present day. The exhibition is…
Lego movie and the maker movement
The Lego movie – just another merchandizing effort? A bit more than this, I think. Emmet, an ordinary construction worker, meets up with the Master Builders to combat big business who want everything locked down and controlled in their Lego world. Emmet discovers the maker in all of us. I liked the message – a…
theory of ruin – hylography
– the clouds take on shapes almost recognizable – the waves on the shore offer smooth gestures in the sand – the gravestone inscription weathers such that it appears to have lost all form … but not quite This is hylography – the process of emergence and disappearance, intentional or unintentional, of graphical form out…
hylography
I am preparing with Paul Noble a guide to his work, as part of an upcoming exhibition at Museum Boijmans van Beuningen. Paul’s vast drawn world (as well as sculpted material forms) – a place called Nobson Newtown (though it questions just what we mean by place) – has at its heart a kind of fontography…
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