Gary Hill’s theatre/archaeology at the Colosseum

Rome Risonanze OscureDark Resonances We are at the Colosseum, the Flavian Amphitheatre – me, Nick (Kaye) and Gabriella (Giannachi). It is 10pm. Across the street beneath the temple of Venus we have been looking at flickering images of what look to me like archaeological sediments projected into the foundation arches, behind the protective iron grills….

landscape messaging – weaving collective stories

Randommedia, the UK based games/web design people, have a fascinating virtual world called Dreamdomain. You design yourself a “drone” – a flying insect, with a “blindwatchmaker” genetic algorithm and then off you go to fly round some very weird landscapes. The dots are messages – text, and video! But you are not at all alone…

everyday horror and repressive normality

An archaeological sensibility I regularly post about the horror that lies just beneath the surface of things, everyday normality rooted in the uncanny secret lives of things – have a look at Horror and disclosure – a scene of crime clings to its past Joe (Adler) has just sent me word of Die Familie Schneider…

Mike Pearson and theatre/archaeology

Mike Pearson, performance artist, was in Stanford this week. We wrote the book Theatre/Archaeology together. He talked to our New Media Workshop about recent work of his, and then to the Archaeology Center about his research into what really went on in the expeditions to the Antarctic back in the early 1900s. Both were provocative….

Jan Assmann and ancient monotheism

A talk and dinner tonight with Jan Assmann, the great Egyptologist – the topic – ancient monotheism. Fascinating. Jan Assmann tonight I am particularly interested in the early genealogy of religion, part of my Origins project. What I came away with was Jan’s distinction between universalist and globalist monotheisms. The first centers upon an inherent…