Mike Pearson and I have a new work of theatre/archaeology, to be premiered next week – Friday 28 June. Here’s how we describe it: Just what is an automobile? In this new work of theatre/archaeology — the rearticulation of fragments of the past as real-time event — Mike Pearson and Michael Shanks reflect on an…
(past) presences
The Field Marshal, the artist, and an old edition of Walter Scott
Matters of the presence of the past — haunting presences. A couple of editions of Walter Scott’s poetry have arrived from my favorite bookseller – Barter Books of Alnwick, Northumberland UK. The first is an 1866 edition of Scott’s poem, Marmion, about the days before the disaster of Flodden Field in 1513. It is illustrated…
Ghosts in the Mirror
I was quite pleased with the special Blurb edition of the review of theatre/archaeology that Mike Pearson and I just published (good quality imagery, reasonable typography and layout) [Link] [Link] So I ran up a new portfolio of my rephotographed daguerreotypes – “Ghosts in the Mirror”. Ghosts in the Mirror by Michael Shanks Here…
Richard III found? – why it matters
It’s all over the news today – the claim that the 500 year old body found by archaeologists under a parking lot in Leicester UK is that of Richard III, the last Plantagenet King of England who fell at Bosworth Field in 1485, losing his throne to Henry Tudor. For much of the popular press…
rephotography – Road&Track
Photography frames and fixes This can be enabling – seeing things through a detail, microcosmic part for whole – synechdoche – the oligopticon, where macro ladidary detail ironically offers more than the wide angle or panorama (contrast the panopticon). The world in a grain of sand. And disabling – frames restrict and compress, and fixity can…
political engagement, contemporary art, archaeology
Six Lines of Flight: Shifting Geographies in Contemporary Art has just closed at San Francisco Museum of Modern Art [Link] [Link] The topic of the exhibition – contemporary art in six “far-flung” cities not typically defined as traditional centers of the art world: Beirut, Cali, Cluj-Napoca, Ho Chi Minh City, San Francisco, Tangier. Ostensibly this is…
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