Gary Hill’s theatre/archaeology at the Colosseum

Rome Risonanze OscureDark Resonances We are at the Colosseum, the Flavian Amphitheatre – me, Nick (Kaye) and Gabriella (Giannachi). It is 10pm. Across the street beneath the temple of Venus we have been looking at flickering images of what look to me like archaeological sediments projected into the foundation arches, behind the protective iron grills….

Joseph Beuys and the archaeological

Tate Modern London. I am still reading today’s Arts section of the Guardian – this time Adrian Searle’s preview of the Tate Modern’s new exhibition of Joseph Beuys [Link] Beuys wasn’t being mischievous or disingenuous when he said there was nothing to understand (in his work). He may have been wrong to believe everyone could…

Iain Sinclair and the urban imaginary

A fine piece of writing from Iain Sinclair, a bit overblown maybe, in The Guardian today about the Thames in the urban imaginary that is London – Paint me a river. Liquid prompts guide our steps towards the scintillae of the supremely visible Thames. Here begins the work of poets and painters, their argument and…

found photos – portraits and physiognomy

In Boing Boing today – found photos from the Arkansas State Prison 1915-1937 – [Link] I liked the caption:   In 1975, documentary artist Bruce Jackson found a bunch of old prison photos in a drawer in the Arkansas penitentiary. The people being photographed have no interest in the photographs being made; the people making…

everyday horror and repressive normality

An archaeological sensibility I regularly post about the horror that lies just beneath the surface of things, everyday normality rooted in the uncanny secret lives of things – have a look at Horror and disclosure – a scene of crime clings to its past Joe (Adler) has just sent me word of Die Familie Schneider…