An archaeological sensibility I regularly post about the horror that lies just beneath the surface of things, everyday normality rooted in the uncanny secret lives of things – have a look at Horror and disclosure – a scene of crime clings to its past Joe (Adler) has just sent me word of Die Familie Schneider…
contemporary art
the database imaginary
– another reason for the importance of categories and databases One of my interests is the way we use databases to organise and administer the collections that are at the core of our archaeological lives. (And have played a crucial role in state society since ancient Mesopotamia.) Databases – sounds dull and tedious? Have a…
Media trips – digital trash and garbology
A new blog devoted to remix and sampling – Media trips Here’s an entry of theirs from October 20 – Thanks to Troels (Myrup) for spotting this one.
Mike Pearson and theatre/archaeology
Mike Pearson, performance artist, was in Stanford this week. We wrote the book Theatre/Archaeology together. He talked to our New Media Workshop about recent work of his, and then to the Archaeology Center about his research into what really went on in the expeditions to the Antarctic back in the early 1900s. Both were provocative….
the aesthetics of the archive
Abram (Stern) was through at Stanford last night talking to our Mellon Workshop in New Media about net.art – here is the talk in his wiki – [link] There are many interesting matters for an archaeologist – net.art’s focus on broken bits of computer code, frequent nostalgia for older art forms, reuse of media fragments….
Michael Casson – studio potter – 1925-2003
In class this morning I ran a google search for a picture of Mycenaean marine style pottery, and it turned up an obituary for Michael Casson, the studio potter. He was a giant in the world of craft pottery, a pioneer of 20th century studio ceramics, and a lovely man. He died last December. We…