Jody (Maxmin) has directed us to a review of an exhibition in New York City – “Mirrors to the Past: Ancient Greece and Avant-Garde America” is at the New York Public Library for the Performing Arts, 111 Amsterdam Avenue, at 65th Street, Lincoln Center, (212) 870-1630, through Jan. 8. The Hellenic Festival, presented by the…
Classics
Michael Casson – studio potter – 1925-2003
In class this morning I ran a google search for a picture of Mycenaean marine style pottery, and it turned up an obituary for Michael Casson, the studio potter. He was a giant in the world of craft pottery, a pioneer of 20th century studio ceramics, and a lovely man. He died last December. We…
remembering Michael Jameson
A sad occasion this afternoon – a remembrance service for Mike Jameson, my colleague in the Department of Classics here at Stanford. He died in August. It was in Stanford Church – first time I had attended any kind of event there. A good turn out. There were some very nice anecdotes told by friends…
Guy Sanders on the excavations at Corinth
A few days ago I took Guy Sanders, Director of excavations in Corinth, to task about a recently reported story of enormous sarcophagi at Corinth, complaining that there was so much more to the early city of Corinth than this supposed and amazing technological first [Link] He posted a comment explaining that, as we might…
Ancient Corinth and the stories archaeologists tell of the past
Ok, it’s quite an obscure source for archaeological news of Europe – NEWS.com.au – but they are running a headline at the moment about the discovery of two large sarcophagi in ancient Corinth. The story is that they are so big that ancient Greeks in 900BCE can’t have done it using only human power but…
archaeology, Classics and contemporary art – the connections
The interest in the decision to cancel a Stanford acquisition of Dennis Oppenheim’s sculpture “Device to root out evil” is growing.[Link] [Link] Yesterday and today the New York Times has been pressing for interviews and comment – Is this censorship? What does the decision say about Stanford’s commitment to the arts? How does the art…