Belsay, Northumberland. Early nineteenth century. Visiting with Bianca (Carpeneti). As pure a contrast between the Classical and Gothic Romantic as can be imagined. Here is something I have written to appear in my forthcoming book “The Archaeological Imagination” – to my embarrassment and frustration still in (final) revision. Sir Charles Monck decided not to restore…
Classics
VINOVIVM
Update – a revised version now appears at – https://mshanks.com/2011/01/archaeological-research-at-the-edge-of-empire/ We are starting to plan for our excavations next summer of Binchester Roman town in the north of England. Here is a short news item about this last summer, released yesterday. July 2010 was the second archaeological field season for the Binchester Project. We are…
Mike Pearson | The Persians
Classics and the contemporary past Mike Pearson and his new production of Aeschylus Persians (National Theatre of Wales) gets a superb review in the Guardian today [Link] This is site-specific theatre with a vengeance. High up in the Brecon Beacons, in a mock-up village used by the military as a training-base, National Theatre Wales is…
Archaeological project design
Encountering the work of FARO in Flanders (see blog entry – [Link]) prompted me to think about our own project in the Roman borders at the Roman town of Binchester – VINOVIVM.org – and particularly in relation to the Council of Europe’s Faro Convention [Link] I talked about the implementation of broad principles and policies…
Rome – Python Style
From Christine in Rome. >> Go to her diary – an archaeologist in Rome.
the ancients: now available in colour
John Hooper in the Guardian reviews the “Colours of White” exhibition at the Vatican museums, Rome (until January 31) – Guardian Unlimited | Arts features | The ancients: now available in colour. For hundreds of years, Caligula’s handsome, marble face has stared out at a fascinated world. Now situated at the Ny Carlsberg Glyptotek museum…
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