Reception yesterday in our lab at Stanford. Metamedia – because there can be no archaeology without media(tion) – the past is turned into something else – that we may attempt understanding. As archaeologists we displace the remains of the past, translate, write, draw, photograph … A lab – devoted to collaborative experiment. [Link]
archaeological news
“Seeing the Past” – archaeology conference at Stanford
I wound up a fine conference at Stanford today – Seeing the Past – Building knowledge of the past through acts of seeing. Congratulations to the organizers – Stacey Camp, Sarah Levin-Richardson and Lela Urquhart. All the papers are on line and available for comment – [Link]. It is a high quality collection and worth…
forgery and illicit antiquities – the importance of narrative
From the Guardian today – Forgers ‘tried to rewrite biblical history’ Hundreds of biblical artefacts in museums all over the world could be fakes, it has emerged after Israeli investigators uncovered what they claim is a sophisticated forgery ring. Four men have been charged with the faking of some of the most important biblical discoveries…
sham archaeological science in the academy
Glasgow TAG conference – the cows come home to Monte Polizzo. A few years ago now I left I field project in Sicily after just two seasons. I was very angry because I felt I had been forced out by people who didn’t want to listen to my concerns. Angry at my wasted effort, because…
the ancients: now available in colour
John Hooper in the Guardian reviews the “Colours of White” exhibition at the Vatican museums, Rome (until January 31) – Guardian Unlimited | Arts features | The ancients: now available in colour. For hundreds of years, Caligula’s handsome, marble face has stared out at a fascinated world. Now situated at the Ny Carlsberg Glyptotek museum…
Robert Sarmast – more junk about Atlantis
More fantasy archaeology in the news. Robert Sarmast has modelled underwater topographic data and sees the remains of a city. Sarmast’s Atlantis This underwater geology has been well researched and is understood as volcanic activity ([Link] [Link]). But the pictures have far more rhetorical force. As does Sarmast’s own story of the rogue amateur who…
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