Over your cities grass will grow

Sensitive light-touch upcycling of an old locomotive works. Curated rewilding and planting for biodiversity. Working with the past, bridging past and present. Designing landscapes with sensitivity to ecosystem. Manifestations of an archaeological sensibility and acting-with nature [Link]. The opening in 1998 of the bridge across the Storebaelt, connecting the two biggest islands in Denmark, brought…

Archaeography: An Introduction

A conversation with photographer Graeme Williams [Link] last November prompted me to reorganize and review my own photowork. Here’s one result. Archaeography — where the performance of photowork meets an archaeological sensibility.Exploring the shared practices of archaeology and photography — working with remains, attending to traces, and composing with absence. Since the 1970s I have…

Robert Longo’s archaeological sensibility

An exhibition of works by Robert Longo at Louisiana Museum of Modern Art [Link]. Raft at Sea 2016-17 Longo traces photographs in charcoal. Large scale charcoal drawings. Of photographs. Blow-ups — upscaled photographs — traced projections. Iceberg for C.D.F (Caspar David Friedrich), 2015-16; The Western Wall, 2011 (Jerusalem) Stand back and you see the BIG…

Tower in the North

Edlingham, Northumberland UK. Series – TVRRIS. (The tower appeared on the cover of my 1992 book Experiencing the Past – [Link] ) Archaeographic notes: There emerged in eighteenth-century Europe a distinctively modern aesthetic of ruin, part of an antiquarian and romantic sensibility. This series aims to question, reconfigure, reanimate the picturesque castle ruin in the…

Mik Critchlow

Extraordinary documentary photography from Mik Critchlow (1955-2023) — Ashington, Northumberland, once the biggest pit village in the world. Pitmen’s Requiem — see my work on the Durham Miners Gala – [Link] I came across his work on a visit to Woodhorn Museum [Link] — the last remains of the north-eastern coal industry — several hundred…