posts

Pearson|Shanks

by Michael Shanks

Mike and I have published a special edition of the review of Theatre/Archaeology, our work over the last twenty years, that’s about to appear in the forthcoming survey of art and archaeology edited by Andy Cochrane and Ian Russell (Springer 2013). Theatre/Archaeology: return and prospect Pearson|Shanks 1993–2013 by Mike Pearson and Michael Shanks

speed

by Michael Shanks

Cliff Nass and I have started our seminar – Cars: past, present, future. The project – automotive archaeology. This week – motor sports. Speed as zeitgeist. I am rereading Jeffrey Schnapp’s wonderful collection Speed Limits. Here is Marinetti – February 1909: We affirm that the magnificence of the world has been enriched by the advent…

connoisseurship of the car

by Michael Shanks

I am back from an extraordinary symposium at Miles Collier’s Revs Institute in Florida, exploring the world of collectable cars at this end of an era. The engine note, the feedback through steering wheel from rubber tyre grip, the scent of warm motor oil, the conversation by the gas station on the road trip, will be history…

Thessaloniki – physiognomy

by Michael Shanks

Mike Pearson and I have started a new collaboration around theatre/archaeology – the rearticulation of fragments of the past as real time event – [Link] to a prospectus. As part of this revival I am reviewing some of my photography projects from the last three decades, explaining and adding commentary. Many are at archaeographer.com. I…

Pearson|Shanks – theatre|archaeology

by Michael Shanks

A decade after our book Theatre/Archaeology (Routledge – [Link]), Mike Pearson and I have started a new series of collaborative works. Here is a prospectus: Pearson|Shanks – theatre|archaeology – return and prospect Twenty years ago Mike Pearson, performance artist, and Michael Shanks, archaeologist, opened a dialogue and collaboration through the theatre company Brith Gof, of…