Michael Shanks ~ archaeologist

Menu

Skip to content
  • Posts
  • About
  • Consulting | Talks
  • Projects
  • Archaeology
  • Design Foresight

the academy

the (new) archaeological intellectual

March 11, 2004 by Michael Shanks

K. Kris Hirst runs the archaeology guide at about.com. As well as the usual stuff, she also has a series of curiously eclectic quotes on archaeological themes. The one posted yesterday, Quote 25, was Keith Bassett on the new intellectual, from an article in Environment and Planning 1996. A sound, if familiar, comment on the…

Posted in cultural politics, media matters, the academy Leave a comment

archaeology-performance

March 5, 2004February 23, 2025 by Michael Shanks

Alessandra (Lopez Y Royo) and I have teamed up to make her web site on archaeology and performance more available, and to develop it. It went public this week at archaeology-performance.net. All sorts on performance, performativity, documentation, archaeological materialites.

Posted in archaeology, the academy Leave a comment

art market dirty dealings

February 26, 2004February 23, 2025 by Michael Shanks

It was the way the Metropolitan Museum of Art in New York described its plans for 57,000 square feet of extended gallery space that caught my eye: “We have a sacred obligation to put this material on view,” said museum director Philippe de Montebello [BBC link] He is talking about 5000 Graeco-Roman artifacts, currently in…

Posted in cultural politics, ethics, the academy Leave a comment

new guide to the discipline

February 25, 2004February 23, 2025 by Michael Shanks

Just out – Blackwell’s Companion to Archaeology. An academic guide. I did the chapter on politics and archaeology. The argument is the one I first made back in the 1980s, when it was deeply unfashionable, that archaeology is a contemporary project, and archaeologists don’t discover the past, they work on what is left. Here is…

Posted in archaeology, the academy Leave a comment

archaeological character and subculture

February 13, 2004February 23, 2025 by Michael Shanks

The BBC call him a cross between James Bond, Graham Greene and Indiana Jones. Patrick Leigh Fermor, at 89, is now Sir Patrick. Truly a wonderful writer. A personal anecdote. Setting – the British School at Athens, 1990. Homebase of the British archaeological community in Greece. I was there to continue my research into the…

Posted in archaeological sensibility, the academy Leave a comment

the news in ancient Greek

February 13, 2004 by Michael Shanks

Further to my comments on 8 February about attempts to bring Classics alive – I came across Joan Coderch’s AKWN – Acropolis World News – the news in ancient Greek … The latest – Russian election candidate vanishes – first US born panda heading to China – Haitian cities erupt in violent revolt I reminds…

Posted in Classics, the academy Leave a comment

Posts navigation

← Older posts
Newer posts →

About this site

Exploring the archaeological imagination – to gain a bigger picture on things that matter.

Read more: [Link]

Lab/studio: [Link]

Contact

michaelshanks @ me.com

mshanks @ stanford . edu

1 650 996 8763

Recent Posts

  • Creative Pragmatics
  • Colin Renfrew, Mark Leone, John Barrett — passing through archaeology
  • Applied Archaeology — Applied Humanities
  • ghost in the mirror
  • A day for Chris Tilley: reflections on the performance of academic life

Archives

Categories

Categories

Archives

Archives

Categories

"this happened here" "what becomes of what was" (past) presences (re)framing actuality antiquarians archaeological imagination archaeological news archaeological sensibility archaeologists archaeology borderlands cars chorography cityscapes Classics contemporary art contemporary past cultural politics design matters figure and ground figure in a landscape haecceity heritage landscapes materialities media archaeology media matters memory practices museums noise nostos - the return photography quiddity Revs at Stanford ruins and remains storytelling and narrative the academy theatre-archaeology the Humanities the shape of history the spectral the uncanny transdisciplinary spaces world building

Tags

Amsterdam aura Bard Graduate Center Ben Cullen Bill Barranco Bill Cockayne Bill Rathje Binchester Bjørnar Olsen Boijmans van Beuningen Boonville Brecht Brith Gof Bruno Latour Chris Tilley Chris Witmore Cliff McLucas Cliff Nass Connie Svabo critical heritage critical romance David Kelley Design Column Disney Gary Devore Helen Shanks IDEO James Hutton Jon Feiber Larry Leifer Maker Faire Mark Gessler materialities Mike Pearson National Theatre Wales Nyborg Paul Noble Peter Miller Revs at Stanford Revs Institute Rotterdam Rotterdam IAB Sjarel Ex Tamara Carleton Tim Brown