A conversation in the Dun Cow, Durham. To continue with the concern that I shared yesterday – the ideology of land, property and labor transformed into aesthetic form – landscape. Images that disguise history? (guilty pleasures of the sublime picturesque) [Link] It is not difficult to identify various components of this aesthetic. (I recall dealing with…
photography
landscape aesthetics and the ideology of pleasure
The Dun Cow, Durham. Early evening. In conversation with Bianca (Carpeneti). My early morning runs are troubling me deeply … these encounters with a sublime picturesque [Link] [Link] [Link] Photo – dawn on Holy Island. Watercolor – J.M.W. Turner (exhibited 1829) (the castle in the background) Turner’s figures in the landscape (they are on the…
the picturesque – again
Up from Peel Bothy, Hadrian’s Wall, central section. These photogenic experiences are starting to bother me …
Steel Rigg – dawn
Field season 2011. Staying by Hadrian’s Wall – Peel Bothy, Once Brewed (built/restored by John Clayton in the nineteenth century as part of his reconstruction of the Wall). Two more early morning runs – refusing to succumb to jet lag.
Hadrian's Wall – Peel Bothy
(Use the controls to navigate through the panorama) Peel Bothy is a renovated workers’ cottage right by one of the turrets in this infamous central section of Hadrian’s Wall. This week I have been staying there. Another morning run.
Jedburgh – after Beny
Exploring the Borders with Gary (Devore). Jedburgh Abbey – an extraordinary building. In the footsteps of Roloph Beny – remarkable photographer, remarkable and misguided snob. Here is his photo from the lavish Thames and Hudson edition of Rose Macualay’s “Pleasure of Ruins” (1962).
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