A bunch of comments on the veto by John Hennessy, Stanford’s President, of Dennis Oppenheim’s “Device to root out evil” from sculpture.net. Dennis was also in the New York Times this week – [Link] My blog entries – [Link] [Link] [Link] [Link]
cultural politics
Remix Radio Show This Sunday in San Francisco! | Creative Commons
Earlier this week I was airing the matter of copyright and intellectual property in connection with academic citation, pulling it all into the issue of democratic cultural creativity. [Link] The The Creative Commons blog announces a radio show this Sunday on the art of remix in a broad perspective – from Roman intertextuality to DJ…
intellectual property and copyrighting the past
I am sitting in a colloquium on Open Knowledge and Social Research Networks at Stanford Humanities Center. On the agenda – more of the issues that I summarized the other day in another colloquium at Stanford. [Link] how does open knowledge work with digital technology in academic institutions? how does collaboration at a distance work?…
More on Dennis Oppenheim and the Stanford art collection
Thanks to Colin Renfrew for his reaction to the decision to cancel the acquisition of Dennis Oppenheim’s “Device to root out evil”. [Link] [Link] [Link] (Colin, Lord Renfrew, chaired the committee that designed the art component of the UK National Curriculum (it was a wonderful revolution in arts teaching) and has long been a champion…
Design – a question of form following function? Or much more?
Trouble at the Design Museum in London. This is how The Telegraph describes it The Design Museum in London has been thrown into crisis by the sudden resignation of its chairman, James Dyson, in protest at what he sees as the museum’s misguided pursuit of empty style over substance. In a terse letter to his…
Art and the values of the University
A comment yesterday on Stanford’s decision to abandon the installation of the Oppenheim sculpture “Device to root out evil”. [Link] Why, might I ask, did you invite the Scotty (ed – Stanford’s Dean of Religious Life) into the process? What possible influence should he have on whether a work of art is or is not…