Tate Modern London. I am still reading today’s Arts section of the Guardian – this time Adrian Searle’s preview of the Tate Modern’s new exhibition of Joseph Beuys [Link] Beuys wasn’t being mischievous or disingenuous when he said there was nothing to understand (in his work). He may have been wrong to believe everyone could…
cultural politics
Foresight, design studies, the long term, and archaeology
Last Friday Bill Cockayne (Stanford Humanities Lab Assoc. Director) and I (also in my role as co-Director of Stanford Humanities Lab) were at the local office of DaimlerChrysler – RTNA (Research and Technology North America). In response to their request, we were proposing a project to research the future of car culture, with a focus…
Rome – Python Style
From Christine in Rome. >> Go to her diary – an archaeologist in Rome.
screen cast – media archaeology from Jon Udell
The heavy metal umlaut Now this entry is going to sound very esoteric to many of you. But please persevere and watch the linked movie. This is about the future of cross-disciplinary collaborative research. In the Metamedia Lab here at Stanford, we make much of the facility of our social software (like the Metamedia pages…
forgery and illicit antiquities – the importance of narrative
From the Guardian today – Forgers ‘tried to rewrite biblical history’ Hundreds of biblical artefacts in museums all over the world could be fakes, it has emerged after Israeli investigators uncovered what they claim is a sophisticated forgery ring. Four men have been charged with the faking of some of the most important biblical discoveries…
sham archaeological science in the academy
Glasgow TAG conference – the cows come home to Monte Polizzo. A few years ago now I left I field project in Sicily after just two seasons. I was very angry because I felt I had been forced out by people who didn’t want to listen to my concerns. Angry at my wasted effort, because…