archaeological imagination

Behind the Locked Door

by Michael Shanks

An archaeology of the store rooms of the Cantor Arts Center, Stanford Don’t you often wonder about what museums keep in their store rooms, but rarely manage to display? The hidden, perhaps forgotten, treasures of “The Archive” Last year, between March 2007 and April 2008, in a small gallery off the main stair well in…

SFMOMA – The Art of Participation 1950 – Now

by Michael Shanks

Life Squared [link], our installation in the online world Second Life, is currently part of the exhibition The Art of Participation 1950 – Now at San Francisco Museum of Modern Art. Life Squared – web link and gallery link. More links – Linden Lab/Second Life and Wired magazine The exhibition, curated by Rudolf Frieling, is…

The photographs of Edward Burtynsky and the animated museum

by Michael Shanks

The touring exhibition of the wonderful photographs of Edward Burtynsky reaches the Cantor Arts Center today and runs till September 18. Nickel tailings #30 – Sudbury, Ontario Like Gursky, [Link] Burtynsky works in large format – the pictures are up to 5 feet across. His subjects are envrionmental impacts. Great holes in the ground like…

Gary Hill’s theatre/archaeology at the Colosseum

by Michael Shanks

Rome Risonanze OscureDark Resonances We are at the Colosseum, the Flavian Amphitheatre – me, Nick (Kaye) and Gabriella (Giannachi). It is 10pm. Across the street beneath the temple of Venus we have been looking at flickering images of what look to me like archaeological sediments projected into the foundation arches, behind the protective iron grills….

Invented traditions – the case of the Percy family

by Michael Shanks

Alnwick Castle, Scottish borders – Northumberland UK – home of Harry Potter As I prepare for a month of fieldwork along Hadrian’s Wall in the UK and north into Walter Scott country, never mind the rock art and superbly preserved agricultural landscapes, I came across a new attraction at Alnwick Castle, the fabulous medieval border…