Gary (Devore) has brought my attention to a remarkable new publication from the Panstwowe Museum Auschwitz-Birkenau [Link] “The Auschwitz Album” or “Lili Jacob Album” comprises about 200 photographs taken by the German SS and depicting the arrival of a transport of Hungarian Jews at the Auschwitz II-Birkenau camp in 1944. This new collection takes 31…
actuality
critical heritage as design
To continue the argument from my previous posts – [Link] [Link] – that heritage, the (legacy) of the past in the present, is best conceived as a process of working on the past in the present – as a process of design. I have just returned from a trip to Göteborg, that most wonderfully open…
prehistory and performance – an experiment in site specifics
In Göteborg this week I have been returning to the work of arts company Brith Gof – site specific performance. And theatre/archaeology – the rearticulation of fragments of the past as real time event. The context is my argument that the heritage industry is just that – work performed on what is left of the…
In theory: the death of literature
An intelligent feature in The Guardian by Andrew Gallix on Tuesday 10 January. The topic – “we’ve heard it all before” – [Link]. “We come too late to say anything which has not been said already,” lamented La Bruyère at the end of the 17th century. The fact that he came too late even to…
Olivier – Le sombre abîme du temps
Laurent Olivier’s wonderful book Le sombre abîme du temps has just appeared in translation (as The dark abyss of time: memory and archaeology) – [Link] Laurent offers profound elaboration of the fundamental insight that the past is all around us, before us, in material traces, that presence is filled with the past, that the future…
landscape aesthetics – tactics (continued)
From a conversation in the Dun Cow, Durham (with Bianca Carpeneti and Chris Witmore). Topic – archaeology, ruins and the picturesque landscape. The allure, the ideology, the challenge to avoid cliché. How do we deal with archaeological landscapes today? Should I just give up photography? As a tainted medium? This is too simple a response…
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