Model T Ford at the Palace of Fine Arts

I was at the Palace of Fine Arts in San Francisco this morning to welcome the arrival of the Historic Vehicle Association of America in their 1915 Model T Ford – culmination of a 3600 mile drive from Detroit following the tracks of Edsel Ford who made the same road trip a century ago. He…

formless – Dubuffet and hylography

Last year Paul Noble and I explored his remarkable world of Nobson New Town [Link]. Our conversation became [In Parenthesis] a kind of inventory or dictionary of topics in the way that form emerges in Paul’s drawing [Link] Here’s one of my initial reactions [Link]: In Nobson, buildings and structures give form to letters; things…

Ruth Tringham, performance and creative confidence

Over twenty years ago I was in Paris as a Fellow of the Maison des sciences de l’homme at the Centre d’archéologie classique and the Centre Louis Gernet (Alain Schnapp, François Lissarague and colleagues), combining the connoisseurship of ancient Corinthian ceramics with my discovery of French anthropology of science and technology (Bruno Latour, Pierre Lemonnier,…

conflict-time-photography

Tate Modern, London – I have just been to the exhibition Conflict – Time – Photography [Link] The topic is how photographs connect with traumatic events and experiences, how they document such events. Here’s the review in Time Out by Freire Barnes – [Link] As we look back over 100 years since the end of…

a visit to a studio – cultural entanglements

This evening Molly and I visited the studio of Ghiora Aharoni. I had been here in November, as part of the class on antiquarians and design – [Link] Then it was a visit through Peter’s iPad camera – on Skype. This evening the occasion was a reception to celebrate Ruby Namdar’s novel, ten years in…