Project Borderlands – [Link] More reflections on the entanglement of property and colonialism, taste and upbringing, class and inequality. [Link] [Link] [Link] In the early 1700s Admiral George Delaval, wealthy from a career in the Royal Navy, diplomatic service and from overseas investments, bought his old family estate from an impoverished cousin. He hired Sir…
Four new works from Anselm Kiefer go on exhibition at Gagosian Le Bourget, Paris, February 7. Marvelous manifestations of the archaeological imagination – [Link] What interests me is the transformation, not the monument. I don’t construct ruins, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is…
There’s an exhibition of the stop-motion animation of Ray Harryhausen running at Scottish National Gallery of Modern Art – [Link]. I vividly remember first seeing his magical movies in the 60s and 70s. The infamous fighting skeletons in Jason and the Argonauts (1963); Pegasus the winged horse in Clash of the Titans (1981). Paul Noble…
Recently I have been posting thoughts about the current state of Classical Studies, asking: What might be done regarding the complicity of Classical Studies in ideological standpoints, including cultural chauvinism, nationalism, imperialism, colonialism? I am much taken with dramatic techniques involving focus on characters and personae, avatars and ghosts, figuration and voices: How might we…
Part 2 of a review of Confronting Classics, by Mary Beard [Link]. Some tactics for challenging the orthodox monologue of academic Classical Studies and opening space to hear other voices. What is Classical Studies about? Mary Beard argues that Classics is not about ancient Greece and Rome at all, but about what happens in the…
Page in construction For Walter Benjamin allegories are, in the realm of thought, what ruins are in the world of things. I have been quite fascinated with this equation and feel that I am only now realizing the ramifications. Here are some thoughts, and some possible connections with the archaeological imagination. More on research creation…